Creative production is the dynamic process of transforming imaginative concepts and ideas into tangible artistic and cultural works. At its core, creative production involves the coordination and integration of various elements, such as artistic thinking, strategic planning, budgeting, resource management, collaboration, and execution.
Creative Production
My work intersects production, research, dramaturgy, curation, facilitation and communication – always departing from notions of relationality. By looking at production as performative practice, I am interested in exploring process-based methods and strategies of artistic and cultural co-creation.
»All organizing is science fiction«
— adreanne maree brown
As a creative producer, I am interested soft structures, that elastically work with notions of time and tensions, as caring supporters of diverse visions. Departing from an intersectional, queer-feminist approach I am dedicated to the practices of figuring-out and the continuos learning, un-learning and rethink that goes together with producing and organizing.
Trained in Systemic Counceling, I am focused on sustainable and resource oriented approaches to Creative Production.
i.c.a.p.
i.c.a.p. (international collaborative arts productions) is a cultural platform intersecting art, performance + inclusive discourse.
With a focus on alternative structures, collaborative networks + critical discussion, i.c.a.p. aims to cultivate opportunities for international exchange and critical reflection on performing arts productions.
i.c.a.p. was founded in 2021 in collaboration with Lisa Reynolds. Since its practice developed with a focus on strategies of in international guest hosting, inclusive criticism formats, publishing, working groups, and artistic consultancy and strategic international dissemination.
2023
Launch of discursive Platform critically reflecting on creative production of the performing arts.
2022
Critical Breakfast Clubs – hosting inclusive conversation on Performing Arts Criticism at the Oktoberdanse Festival, by BIT Teateragarasjen.
2021
International Guest Hosting at Meteor Festival, BIT Teatergarasjen.
Access – Structure – Translate: A working group held at the Meteor Festival by BIT Teatergarasjen.
Courses /Trainings
Dedicated to learning and un-learning, I participated in several courses and programs including:
International Companionship Program by produktionsbande, 2024 with Julia Asperska. Find out more here.
Producer Akademie der Produktionshäuser 2024
An Academy for Producers organized by the Productionhouses in Germany with a focus on Care and Hosting Strategies. Find out more here.
CIFAS Producer Academy, 2023
At Kunstenfestivaldesartes, Brussels. International Producer Academy hosted by CIFAS in the framework of the international Performing Arts Festival. Find out more here.
Intersectional Organizing by #strongertogether network, 2023
Workshop and training in intersectional perspectives within cultural production. Find out more here.
As of 2023, I am a member of the IETM Network.
Projects
Performance
Antje Velsinger – GOODBYE/FAREWELL — The interdisciplinary productions of Antje Velsinger / new trouble are dedicated to current socio-political challenges. Their productions are based on extensive research in which they initiate exchange with actors from other social and scientific fields.
Festival
Millerntor Gallery, The Art of Movement 2024, — The Millerntor Gallery is an international festival for Music, Art, and Culture initiated by Viva con Agua Arts and the FC St. Pauli.
Performance
Sarah Vanhee – BOK (bodies of knowledge) — BOK is a public learning platform, a place where people can learn from each other. Things one usually does not learn, told by voices that are not always heard, from different parts of society and the world. BOK welcomes life experts rather than professional authorities. Corpus of knowledge -> here.
Performance
Yohei Hamada – Push&Pull Matters, 2023
Push Pull Matters is a performing arts project that speaks about subtle expressions of cultural differences expressed through structures, bodies and tools.
Performance
Jingyi Wang – JUDGE ME — was a Performance work with non-performers in form of a court case, and the public traveling conversation voice – to – voice.
Performance
71 Bodies – IN FIRST PERSON, The Dance; The House (digital) — is the first transgender production now available online that is created, performed and produced by an all trans cast.
Discursive Program
FUTUREBODIES — Discursive Program of Oktoberdanse is a wonderful Festival by BIT Teatergarasjen where I could contribute with Dramaturgy & Production.
Performance
Pornotopia Collective
A laboratory for desidentification practices around gender narratives onto the body, founded in 2018 and collective. Realized in the framework of the Residence at the USF Verftet in Bergen the Pornotopia Collective opens their work in progress in different formats to the public.
Artist Studio
Nahum + KOSMICA Institut, Berlin (2017) – Studio Management for the artist Nahum and development of pedagogical programs around space exploration, science and relationality.
Festival
LOOP Festival, Barcelona (2016) — international video art festival in Barcelona. discursive Programme + International Guest Hosting
Artist Studio
Studio Tomás Saraceno – Aerocene: Aerocene is an interdisciplinary artistic community that seeks to devise new modes of ecological sensitivity, reactivating a common imaginary towards an ethical collaboration.